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TV Database The Twilight Zone (1959)

OmegaMeistro
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5.00/5 1 Votes

Genre: Sci-Fi & Fantasy,Mystery,Drama

Director: Rod Serling

First aired:

Last air date:

Show status: Ended

Overview: A series of unrelated stories containing drama, psychological thriller, fantasy, science fiction, suspense, and/or horror, often concluding with a macabre or unexpected twist.

Where to watch

Trailer Cast

    • Rod Serling

      Self - Host
Show information in first post provided by The Movie Database
The Twilight Zone
Two
Season: 3
Episode: 1
Air date: 1961-09-15

Guest stars: Elizabeth Montgomery,Charles Bronson
A man and a woman, on opposite sides of a future war, encounter each other in a deserted town.

"Two" shows why the half hour format works instead of the one hour format later on, because even at 30 minutes, it still feels too lengthy for most audiences, as can be seen among the reviews.

For me, however, I feel like it's just right, with the right amount of intrigue to explore these two lonely souls using mostly body language as opposed to dialogue. If anything, I'd much prefer if the whole episode just went dialogue-free like the first half of WALL-E, though I guess that might have stretched the logic of this world a little bit.

I like that the woman is immediately spurred into hostility again when she saw the war propaganda posters, particularly the one that pegged her people as "the enemy." Really subtle commentary on how such propaganda spurred people into senseless war than anything else.
The Twilight Zone
The Arrival
Season: 3
Episode: 2
Air date: 1961-09-22

Guest stars: Fredd Wayne,Noah Keen,Bing Russell,Robert Karnes,Harold J. Stone,Robert Brubaker,Jim Boles
A plane lands safely, but all its passengers, pilot and crew are missing!

While the ending feels kinda abrupt and unpolished, I feel like it mostly works because of how creepy the twist turned out to be. That shot where Sheckly puts his hands in the plane propeller was intense.
The Twilight Zone
The Shelter
Season: 3
Episode: 3
Air date: 1961-09-29

Guest stars: Larry Gates,Joseph Bernard,Peggy Stewart,Sandy Kenyon,Jack Albertson,Michael Burns,Jo Helton,Moria Turner,Mary Gregory,John McLiam,Scotty Morrow
When a nuclear attack appears imminent, several suburban friends and neighbors fight over control of a single bomb shelter.

Jerry Harlowe: "Hey that's a great idea, block party, anything to get back to normal, huh?"
Dr. Bill Stockton: "Normal? I don't know. I don't know what normal is. I thought I did once. I don't anymore."
Jerry Harlowe: "I told you we'd pay for the damages, Bill."
Dr. Bill Stockton: "Damages? I wonder. I wonder if anyone of us has any idea what those damages really are. Maybe one of them is finding out what we're really like when we're normal; the kind of people we are just underneath the skin. I mean all of us: a bunch of naked wild animals, who put such a price on staying alive that they'd claw their neighbors to death just for the privilege. We were spared a bomb tonight, but I wonder if we weren't destroyed even without it."

It's an old trope that during times of crisis, humanity will eat itself, going back to the far more superior episode, "The Monsters are Due on Maple Street". And I'm not convinced that the two aliens from the end of that episode weren't responsible for this episode's false alarm either.

This episode is slightly clunkier though with a lot more exposition dump, particularly Bill's contrived speech about how humans are all monsters or something. It's a good monologue... if it wasn't part of Bill's dialogue. I guess I could kinda overlook it because that's supposed to be this show's "charm" or something, but man, I'm surprised none of his neighbors just rolled their eyes and walked away, shaking their heads at crazy ol' Bill talking to himself like he's on a PSA or a CBS Special.

I enjoyed this episode on first viewing though, and I didn't really feel the clumsiness of the writing until I took a closer look at the dialogue, so that counts for something. I believe fiction should be an experience of the heart more so than of the mind, and if a story makes you feel something, maybe it's not that bad.

The scary part though is that you don't even need such high stakes crisis to tear people apart anymore. You simply have to offer them anonymity.
The Twilight Zone
The Passersby
Season: 3
Episode: 4
Air date: 1961-10-06

Guest stars: James Gregory,Joanne Linville,Rex Holman,Warren J. Kemmerling,Jamie Farr,Austin Green,David Garcia
On the road home from the Civil War, a Confederate soldier stops at a burned-out house and gets to know the owner, a recent widow.

Are all confederates evil?

It's perhaps a tone-deaf question to a rather complex subject, but it also shows how challenging it can be to talk about fiction that paints any confederate soldier in a positive light at all. Any. I found more than a few comments calling out the "problematic" nature of this episode, the way it somehow seems pro-confederate even, when it's (in Larry David's voice) pretty, pretty, pretty obvious that wasn't Rod Serling's intent, given his anti-war sentiments that were ubiquitous throughout many Twilight Zone episodes, and that the episode was far from the revisionist farce that was "Gone with the Wind", not to mention the fact that many confederates were just poor farmers dragged into the war.

The main episode in question though was beautifully shot by Elliot Silverstein. I particularly like how for much of the episode, it's less about the allegiances and misguided causes these people served and more about a lost soul spending time with a widow at a secluded cabin, just strumming his guitar away like they're the only two people in the world. Whether the road in the episode is an allegory for purgatory is irrelevant as the episode focuses more on these two companions' lonely sentiments, reflecting their past life and how they came to this point. In that sense, despite the "problematic" setting, there's almost a romantic atmosphere to the two's interaction.

The fact that the widow (Lavinia Godwin, played by Joanne Linville whom I just saw playing the Romulan Commander not a few hours ago in Star Trek, "The Enterprise Incident") shot the Union lieutenant out of vengeance kinda clues you in that this story is more about the senselessness of war on both sides, if Rod's whole bread and butter wasn't already obvious to you throughout the first two seasons. It's a well-executed script that flows well without playing sympathies to either side, keeping the politics out.

That was... until Lincoln arrived.

Honestly, that was probably the only part of the episode that felt jarring, but even then, taken as a whole, seeing him as the last man on the road to the afterlife does feel like an appropriate capper to end on, even if his motivation for the widow to move on cheapened her arc.
The Twilight Zone
A Game of Pool
Season: 3
Episode: 5
Air date: 1961-10-13

Guest stars: Jonathan Winters,Jack Klugman
Championship pool player Fats Brown returns from the grave for one last game.

I'll be the first to admit: I'm not a self-confident guy. There's even a pride in that acknowledgement because it's part of who I am as a person, how my childhood shaped my identity. People say you can change beyond what you grew up as. People say a lot of things. They don't really do as much often.

But that's what my mindset is like going into "A Game of Pool". Three guesses whose side I was on. Because of my lack of talents, I value the act of "working hard" a lot because there's value in attaining something that's within the realm of possibility with your own sweat and blood. The American dream. A self-made man. Jesse Cardiff (played by Jack Klugman, once again in a role as someone who has dreams of success) is obsessed with being the best, and I've read all these reviews and praises of this episode how the episode is great and magnificent even though it paints Jesse as in the wrong, that he's rightfully punished for his obsession. That's kinda a disingenuous message, considering all the successful men living in our time sipping champaign and living the easy life in huge billion dollar mansions, not to mention discrediting the legends who worked their ass off to get to where they are.

And I think, more than anything that bothers me, it's that it's just not a very fair conclusion or even a properly developed one for Jesse, the man who's merely trying to prove himself the best after living a life of mockery being belittled by the world, something I could relate to a lot. His act of diligence didn't come at the cost of killing or harming anyone, merely his own squandered time trying to prove the world wrong, that he's worth something in his existence, and the heavens saw to it to punish him for it. That's a rather unsatisfying ending, if you ask me, not to mention being very un-American.

I've pursued plenty of aspirations for my own satisfaction, things no one else had any knowledge of or were there to approve me of. So what? It's my life, and I didn't hurt anyone chasing my dreams. Who are you to judge me for it? Or Jesse? I get the message of the episode, that one shouldn't obsess over success, that there's more to life than fame and fortune, but the execution just feels so insulting due to a lack of development of Jesse's life outside of pool, to show us what he's missing, or whether he has any loved ones to miss at all to begin with.

The episode is competently acted out though by Klugman and Jonathan Winters in the (literally) heated game of pool as the two men continuously exchanged taunts and quips at each other in a game that's more psychological than physical. I particularly enjoyed Klugman's performance, channeling the same depressed desperation energy that we saw some of in "A Passage for Trumpet". I also had to look up the terms of pool as I'm not familiar with the terms, but thankfully, I have ChatGPT to assist me in simple English, laying out the rules in an easily understood manner.

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